SUNDANCE 2020 - Photos and words

Had a blast at the 2020 Sundance Film Festival held in Park City, Utah.

Catch all the information from all the awesome reviews write-ups at SLUG Mag

Here is my official coverage of the event, take a look and let me know what your favorite part was.

https://www.slugmag.com/photos/sundance-film-festival-2020-park-city-utah/

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Quick Tip - Press line & Sundance - Why you need flash and power

Shooting events such as a film premiere, you will have to account for a lot of variables; Your Position, Lens Choice, TIming, etc etc. And Lighting.

If you are relying on the ambient light only you may be stuck with candle like wall accent lights, fluorescent tube panels or maybe nothing at all?

- My Solution & Tools Uses -

Using an on camera speedlight, power pack with plenty of energy for really short recycle times. I use the built-in diffuser from the speedlight and leave the white flag down. I toss the flash facing forward (direct flash I know…) and time my shots to the attention of the talent making their way through the line.

Taking multiple shots in order to get that keeper you definitely have a ratio of 1:5 or 1:10 in getting your shot in focus and not having the other flashes around you over exposing your shot.

For example: Let’s take my shooting actor Clara Rugaard from the Australian film ‘I AM Mother’ and her entrance and solo pictures at the premiere at the Eccles Theater. This particular set with the one final “keeper” I probably took 6 shots.

Shot 1: Under Exposed - Flash Didn’t Fire

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Shot 2: Over Exposed my flash an other flashes fired at the same time.

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Shot 3: Perfect exposure, expression caught

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Shot 4: Caught the sync speed at a bad time, only partially lit. Expression annd eye contact missed.

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And then again, shots 5, 6 had similar issues and were eventually discarded along with shots 1 and 2. Then you would get another “keeper” after that, and repeat and repeat.

That is why it is very important to plan, know what composition you can get etc. test your flash, have a person stand in before the talent gets there! … Grab the publicist grab another photographer, anyone. Then when the talent arrives, above all be polite, don’t yell, ask for attention, ask for a direction for them to put the attention, multiple shots. 1,2,3,4,5,6 “To your left please” …1,2,3,4,5 “One more time, thank you for coming out” 1,2,3,4,5. Etc Etc…

Tips: Don’t let the shutters just go off in silence, if you are not saying anything, if your fellow photographers are not saying anything, say something. Compliment a smile, say something about their outfit etc. No matter who it is, they’ve probably put thought into themselves, or hired a designer for some aspect of their ensemble.

That’s it

Pretty much everything else is not something you can copy, you can watch, learn etc. But if you talk verbatim how another photographer is talking that is weird, if you approach every subject the same way, that might not work. If you take a direct approach, if you are working with a group, if you are getting frustrated. That will come through and people will know, just like if you are having a conversation with an acquaintance, and they are upset, you can tell!

Let yourself have fun, get your shots but above all be nice, be fun, let your subjects gain that confidence for the 5 minutes you have them. Yes they are professionals, but maybe they are much more shy in person than you think.

“Final Shot” with light edits, sharpening and color adjustments in Lightroom


Clara Rugaard - At the premiere of ‘I Am Mother’ at Sundance Film Festival.

Clara Rugaard - At the premiere of ‘I Am Mother’ at Sundance Film Festival.

Plus you can ditch that BTS look with a crop and balance highlights to taste.

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Did you learn anything? Have any tips of your own? Leave a comment and reach out on social media!

Did you make it out to the festival? - Please share your experience below!

THANK YOU FOR LOOKING!

IF YOU ARE IN NEED OF A PHOTOGRAPHER

CONTACT ME AT LOGAN@LMSORENSON.NET

OR (801) 455-9957

QUESTIONS WELCOME!!!

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A Portrait of a Butcher - Beltex Meats

In this post I will share some information on how I went about getting some portraits of a local butcher for SLUG Magazine and their upcoming Food Issue.

GEAR USED AT THE END OF THIS POST!! 

BEFORE THE SHOOT...

An opportunity to photograph a local shop owner for a feature about their new shop? I am in!

The information I was given is that there was a new butcher shop and meat vendor in the downtown Salt Lake area, the owner is my subject, a time and an address. I am told I have about 15 minutes to take some shots before the shop opens.

I arrived 10 minutes early, I park in front of the shop, take out my C-Stand and attach it to the wheel base, grab my bag and I walk up to the shop's entrance. Since it was closed that means I have the pick of any location in inside to make my images, no customers will be shopping, just me and my subject.

THE SHOOT...

I meet my subject, owner/operator Butcher Philip Grubisa, shake his hand and ask him if I can take a look around the shop to find a good place for the portraits.

The interior of the shop is open, not too large and has about 12' white ceilings. (See Video)

I decide the use two display cases, one shorter case more towards the entrance and the other just on the other side of the pillar that is taller.

As with all indoor shoots, the light available might not be the best for a portrait and or might not be bright enough for a photo at all. The below image shows before the addition of flash at usable settings.

 

I have Phillip place himself on the side of the shorter display case a sort of seated lean, super casual. I do not use a direct light source for this shot, seeing the large glass case and the narrow walkway, getting the position of the light stand just right would be impossible. I opt to use a 7' reflector to direct the light from the strobe away from the subject and toward the ceiling, they are low enough and will reflect the light downward, spreading it evenly.

I grab these two shots...

I move onto the other side of the main beam in the room to work against the taller display case in the shop.

Turning my C-Stand and light so that it fired on the correct side of the ceiling beam like so...

Using a diferent angle by holding the 5D IV over head. I used the touch screen I was able to get these shots...

At last I bring the angle back down to a shoulder to eye level shot. I ask Philip if he has any meats we can grab and put on the counter next to him.

I leave the light as is, and we capture a few more shots.

AFTER THE SHOOT... 

My final shots being submitted and 


Gear Used

I take with me the following gear, please follow these links to see the product details and if you purchase from them through these links, it helps me out a bit. Thanks!

Canon 5D Mark IV

Canon 24-70 f/2.8 USM II

Xplor 600 Monolight with 7" Reflector

Impact C-Stand with arm

Kupo C-Stand Base with locking wheels

Neewer 43" Umbrella Softbox

Lowepro AW 200 Messenger Bag


Thank You For Looking!

If you are in need of a Photographer

Contact me at LOGAN@LMSORENSON.NET

or (801) 455-9957

QUESTIONS WELCOME!!!

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